Paint THIS to Improve your Skills & Technique

This is a FREE sample of one of my painting lessons.

This might look a bit tricky if you’re a beginner, but I’d encourage you to give it a try πŸ™‚ The step by step process will guide you through all the stages of the painting. You can download the sketch outline and reference photo below, as well as the complete worksheet for this painting project (normally reserved for my Patreon members).

In this lesson I’m going to show you how you can paint this macaron in watercolor in just a few simple steps.

In all my tutorials I try to simplify the painting process into easy to follow stages so that anyone can try subjects like this for themselves. 

And this is a perfect example of a very beginner friendly painting. It’s a really fun and satisfying watercolor, so I hope you’ll give it a try.

Grab your brushes to make your own β€œmacaron masterpiece” in just a few easy steps.

watercolor macaron

Step 1 – Getting Started

Begin by sketching the outline of the macaron onto a sheet of watercolor paper. 

When you’ve completed the sketch, tape the sheet onto a flat board with some low-tack masking tape. Before painting the first brush stroke you need to protect the wavy line that represents the icing using masking fluid

step 01

Doing this will make the painting process much easier, and it will let you paint the whole macaron shape with uninterrupted brush strokes, giving you a much smoother result.

I used a bamboo quill pen to apply the masking, and a hair dryer to speed up the drying process! 

Step 2 – Foundation color (graduated wash)

Next we’re going to apply the foundation layer of paint, by painting the whole macaron shape in one go. 

To do this I mixed up a puddle of brown paint using burnt umber. I then start to fill in the shape. But I’m being careful to leave a fairly big white highlight in the top left corner of the macaron.

Note that in the reference I’m using, the light is coming from the upper left – this will influence the way you shade and shadow the macaron.

My first brush strokes use a pretty diluted mix of brown. And as I progress from the upper left to the lower right hand portion of the shape, I’m adding more and more paint into the mixture, making a more intense color. In this way I’m suggesting the direction of the lighting, and making a more convincing three-dimensional effect.

To make the shaded side of the macaron even darker, you can add some french ultramarine blue into the mixture. 

Mixing with a complementary color like this is a good way to neutralize a color.

Step 3 – Shading & shadows

Leave the first layer to dry then in the next stage we’ll add some shading and shadows. 

Begin by adding a cast shadow on the lower right of the macaron. I started with an extremely diluted puddle of Payne’s grey, which I blended out to almost nothing. After I had defined this shadow shape, I charged in a more intense mix of grey into the damp wash, adding a stronger color close to the edge of the macaron.

Leave the cast shadow to dry so you don’t smudge the paint while painting…

Next I used a mid-toned brown color to add a cast shadow to the curvy icing

step 3

Do to this, think about the direction of the light and add brush strokes to the shadow side of icing all the way down to the bottom.

I’ll let you follow along in the video so you can see the brush marks I used to paint these shapes.

Finish off with a few lines of darker detail where the two sides of the macaron are sandwiched together.

Before continuing with the rest of the painting, it’s time to remove the masking fluid. You can use a rubber cement pickup tool like this or just an ordinary eraser. 

Step 4 – Paint the β€œicing on the cake”

step 4

Now we can fill in the shapes of the icing. I’m using a mid-strength mixture of brown paint for this. 

I began with the small blobs of icing protruding from the underside of the macaron. And since we’re now painting the details, I also swapped to a small pointed brush. 

The icing shape itself is also quite shiny, so I’m being careful to leave some small white highlights on the parts of the icing shape that are turned towards the light.  

Leaving those white highlights in a watercolor painting adds a level of interest and liveliness. It’s all about adding contrast – those bright spots make the colors around them pop!

This is quite a fiddly and intricate part of the painting process… (I have a video of this on my YouTube channel – just search for β€œwatercoloraffair”).

Add a few more lines of color along the separation between the two parts of the macaron. 

When the icing shape is complete, leave the paint to dry completely.

Step 5 – Final shadow details

To give a more three-dimensional feel to the icing I’m going to finish off by adding some shading to this wavy shape. 

step 5

We already painted a cast shadow for the icing earlier on… but the icing itself looks slightly flat. To do this I added a few brush marks to the shaded underside of the icing. This β€œshading” is also called the β€œform shadow”, this is the part of a form that is not directly illuminated by light.

Adding this adds depth to your artwork and makes it seem less flat πŸ™‚

Anthony

Tell me how you got on with this painting… Or you can tell me about your watercolor struggles or what’s holding you back in the comments below and I’ll personally give you some guidance πŸ™‚

22 Comments

  1. Dear Anthony, I have a general question I come across issues where if I don’t wet the paper or the section 1st like the little circles that you suggested to do things get too streaky doesn’t dry as evenly as if I had what is the section 1st so if you could tell me what you feel about getting a very smooth color graduation if wet wet is better than wet on dry? Tips you can give that makes one way better than the other for any particular techniques. Thank you so much, warmly Jeanette. Saccobellistudio.com

    1. Hi Jeanette
      Painting smooth blends and uniform shapes in watercolor is a common struggle at first.
      It’s all part of the “water control” issue with this medium.
      Wet-on-wet will generally create smoother washes than wet-on-dry. But with practice, wet-on-dry can also produce smooth results – you need to be sure the painted surface remains moist during painting, and don’t let the paint begin to dry. This is what causes streaky results, since the pigments are starting to settle into the paper.
      I find that some beginners don’t use a wet enough brush when painting wet-on-dry – almost treating it the same way as more opaque mediums like acrylics…
      Hope that helps πŸ™‚

  2. Hi Anthony,
    I love this lesson and the video demo is very helpful. On the downloadable work sheet you show the palette you’re using to include Hansa Yellow Deep and Pyrrol Scarlet but then these aren’t mentioned in the text or video. So I’m wondering how they figure in? Also, and maybe related, how are you arriving at the variation in browns used to create the shadow caste by the icing and the icing itself?
    Thanks!
    Kathy

    1. Hi Kathy
      Yellow and red are two colors I regularly use to modify brown mixtures – they warm up or lighten the brown mix depending on the desired color.
      In this painting I didn’t choose to add them, but they can be nice to play around with πŸ™‚
      The cast shadows for the icing are simply a medium-concentration of burnt umber – Layering the color on top of the previous washes gives a progressively darker appearance. This is thanks to the transparency of watercolors, and is known as a “glazing” technique.
      Hope that helps πŸ™‚

  3. I appreciate your attention to detailed instruction. I painted the macaron a second time and took more time to get the water to paint ratio “better”. The second attempt has more depth although still so much to learn and incorporate. Thanks!

  4. This video has answered so many questions and concerns for me…Thank You so much for helping me move forward… I definitely want to take your MasterClass as soon as I am back home again…We are traveling right now and things are changing dailey, moment by moment… This looks like just what I have been looking and hoping for. I love your style of teaching and instructure…This gives me some confidence going forward. Best Wishes to you Anthony.

  5. I’m enjoying the course. I managed to do the macaron and felt very proud, thanks. I also enjoyed the peaceful music on the tutorial

    1. Hi Liz
      I’m happy to hear you’re enjoying the lessons! And well done on finishing the macaron β€” that’s great! You should definitely feel proud of yourself.
      Keep it up!

  6. This was a great first painting. I really enjoyed building up the colours. Adding a second colour to the darkest part is not something I would ever have thought to do. Thanks.

  7. I’m brand new to this and can’t wait to begin! As a beginner, I’m stuck on which sizes and how many brushes to start out with. What sizes did you use in the macaron example? The paints and papers that you recommend are in-hand, but the brushes escape me. Please advise. Thanks!

  8. I am having trouble with the gradient effect. Watching your video I see how you dab the colour to make it darker but my paint is almost to dry when I try to add the effect. If I add too much water my paper is buckling. I have now tried this cookie many times. Maybe I am stressing too much over detail.

    1. Hi Marcie
      This could also be something to do with your paper… Are you using 100% cotton paper?
      This surface is usually much more forgiving and should give you more time to play with the paint.
      Alternatively, you could try mixing you paint puddles before had so you can work more quickly πŸ™‚
      As for detail – try to see the bigger shapes and brush strokes without fussing over details. I know this is tricky, but maybe try thinking of the bigger shape you want to paint before putting brush to paper, and stick to that πŸ™‚
      Hope that helps

  9. Turned out β€œreal” ! I had send to everyone offering a macaroon and they said β€œ yummy” πŸ˜‚πŸ‘πŸ™Thank you Anthony! I love your emails/lessons! Very generous of you! Sending lots of gratitude!πŸ™

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